There is a lone childish figure in the midst of nature in each of these paintings that reflect the isolated youth of Japan in the 90s, when she was growing up as part of a generation living in escapism against a depressed economy, and resisting the traditional social structures of her parents' generation.
Floating Island below reminds me of the paintings of Hernan Bas, her generational peer growing up in Miami, also painting similar scenes of isolation in nature.
Kudo, like her peers, consumed manga comics and computer games, finding escape in the alternate worlds of these mediums. These influences are reflected in the cartoonish, childish characters in her paintings, who seem to resist the constraints of adulthood and suffer from loneliness.
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